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Showing posts with label glasslike. Show all posts
Showing posts with label glasslike. Show all posts

Saturday, September 17, 2016

Technique Tutorial: Cracked-Glass Effect

Greetings NetPeeps! (My teen daughter just cringed as I wrote that.) Today I have a little tutorial for you on how to achieve a cracked-glass effect on small pieces of art like this ATC I have featured over at the Lost Coast Portal to Creativity, where they are currently running a contest--submit any art of yours that uses rubber stamps and be entered to win a gift certificate to buy MOAR STAMPS. What have you got to lose? Nuthin'. But to gain? Shopping spree! So take a picture of your stampy art and go over and enter! Rules here. Deadline September 25. GO!

So...cracked glass! Here's my ATC (entitled "Progress") so you know what we're talking about.



See all those crackledy lines and cracks? This looks pretty cool in person...cooler than on the screen (photos have SUCH a flattening effect, don't they)...and you will definitely want to try this technique.

Here's how I did. First, I will tell you about the background and composition of this card, although the cracked-glass technique will work on top of just about anything you want to do.

So. I took a mini ink-blending tool and swirled some Distress ink in three or four colors onto the card.


To add interest and a bit of surrealism to the background, next I took some Nuance pigment powders by Magenta and sprinkled some onto the card. I used yellow, orange, and magenta pigments. TIP: A tiny bit of powder goes a long way--once you wet it with water, the pigment blossoms and balloons out pretty bigly, depending on how much water you add.

Before I spritzed the powder with water, the card looked like this. Tiny quantities of powder, yes?


(Sorry for the color difference between the first and second photos--I think I used flash on the second one so the powders would show up better.)

While the card was drying after the powder spritzing, I got my stampin' stuff out. I used two cool images from Lost Coast Designs--this awesomely bizarre sort of monk-bug from the Isle of Aud Creatures set (for which I have nothing but profound respect--every one of the images in the set is SO great):


...and this Large Perspective Background that I just love. It's like a surreal Italian Renaissance piazza.

I stamped the monk-bug in waterproof ink (TIP: you want the ink to be waterproof so that the next steps don't smear your images) and then masked him off to stamp the background. So that part was easy-peasy. The composition was done.

NOW comes the cracked glass part. [drumroll....]

I took the ATC and pressed a clear embossing ink pad all over it. I then covered the card in several coats of clear ultra-thick embossing enamel. This stuff is just embossing powder that has very large grains--horrible for detailed images, but great for melting over your entire pieces. It kind of looks like table sugar--here's how my card looked with the unmelted first coat adhered and ready for the heat gun:



One melted coat of the ultra-thick embossing enamel will probably yield a pebbly appearance, which can be a cool look. But for this technique, you want to apply several coats, MELTING each coat before you apply the next. Three coats will probably be enough. (See my post Step-By-Step: A Glasslike ATC for more details on this process.)

Once you have three or so coats of the melted powder on, your art will appear as though it is encased in glass with rounded edges. I tried hard to capture the look for you here:


See the shine in the lower right-hand corner of the above pic? See how the card looks thick and glossy there?



How about here? It's an effect that is just durned hard to photograph.

But just trust me. It will look pretty cool at this point...so cool that you might be tempted to stop here. And I would be sympathetic to you. HOWEVER, if you wanna crack that "glass," here's what you do next...

Put that sucker in the freezer for an hour.

When the resin is thoroughly chilled/frozen, take the ATC out and gently bend it back and forth in several places until the resin cracks. It's fun. You don't want to bend the card so hard that you are creasing it--just stress the cold resin so it has to sprick. (<--Hmm...that may be a Swenglish [Swedish-English] word...but it's just so perfect for the sound and feel that your card will have as you flex the resin in various spots.)

When you're done, your cracked glass surface will look like this:



Cool, ja? (Swedish again.) Talk to me below and let me know if you've ever tried this technique and how your results were...or let me know if you're planning to very soon. Make some art today and feel better!






Friday, July 8, 2016

Step-By-Step: A Glasslike ATC

Greetings, fellow Musers! Today I wanted to share with you a fun technique that you can use for making your ATCs a little special. When you cover your card in a couple of coats of melted extra-thick embossing enamel, it is almost like the whole ATC is encased in glass. The effect is hard to photograph, so here I am showing it at a slight angle:




To make this card, I used a simple background of two colors of acrylic paint (I used Distress Paint in Tumbled Glass and Crushed Olive).


I dry-brushed the blue color in one direction across the card...


...and then came back with the yellow-green color in the other direction. You want to keep the brush on the dry side, so that the undercolor and even a bit of the paper show through. This is just a simple background technique that creates a bit of texture and interest while keeping the focus on the foreground.



After the paint dried (you can speed this up with a heat tool if you like), I was ready to stamp my main image. This cool tree reminds me of Yggdrasil for some reason...it is available from Lost Coast Designs here (Misc. Set 3) already sized perfectly for your ATCs.  :)

I blended three colors of ink right on the stamp for an interesting look--a green and a gray, with suggestions of black. (And in case you are wondering what those black stripes are on my acrylic block...well, I am old, and those are Velcro, because at one time this was the coolest way to handle a large unmounted rubber collection. This stamp comes cling-foam-mounted though--I just used the back side of the block without the Velcro.)


Here's how the image came out on top of the painted background. The edges that escaped the stamped design will be covered up during the edging phase.  :)



Next, I needed a sentiment, so I dug out a lettering stamp set and found that the font I wanted to use happened to exactly fit the word that I wanted to make and the space I wanted to put it in. Cha-ching! Here is the word "growth" laid out in reverse from how the word will print. If you lay the word out from left to right, you will get a surprise when you stamp. Also, it is easy to mix up your b's and d's, so mind your p's and q's.



I stamped the word in black and edged the card in chalk ink.



Now for funsies I wanted to add some sparkle and dimension to be encased under the "glass." On went some glitter-glue dots in gold and green.



TIP: Next, I recommend you mount your image on a stiff piece of chipboard--the sturdier the better, because your card will want to warp after the magical glassy goodness of the next step starts happening, and a heavy piece of board will resist this. If you proceed to the next step with nothing but flimsiness in your project and recklessness in your heart, your "glass" may crack when you try to flatten it out again. Perhaps not the end of the world, but I am here to look out for your best interests and so just thought I'd mention it.

And now the fun part! (I regret exceedingly not having taken any photos of this stage. I think I was too excited. Forgive me.) You take your ATC and press it into the top of an embossing ink pad until the surface of the design is entirely covered with embossing ink. Then you coat the whole front of the card with extra-thick clear embossing enamel, and melt with a heat tool, as one does. But then you repeat the process until you have two or three thick coats of clear resin melted on, and the surface of your card becomes thick, smooth, and glassy.

The result looks like this...although again, that shine and dimension are hard to capture, so here are a couple of angles for you. This first one shows how the glitter-berries catch the light under the "glass"...


The "glass" does add a certain layer of luminosity to the whole card.



Cool, right? And pretty easy. Any questions, please just leave them in the comments below. :) Do let me know if you try this technique and how it turned out for you. 'Cause remember, ATCs are for sharing!

Love,